We are delighted to invite
Salvatore Rubbino onto the Picture Book Party blog to tell us all about the
making of his new picture book, Ride the Wind. You can now read the
full post below!
“In
this beautifully told and emotive picturebook, a motherless boy breaks rules
for the sake of an injured albatross and is reconciled with his harsh father.
Salvatore Rubbino’s clear, colourful draughtsmanship is deft at evoking the
story’s South American setting.” – ‘Watch Out For’, The Sunday Times
Guest Illustrator Post - Salvatore Rubbino
Making a book can
sometimes feel like sending a message in a bottle.
During the making of a book, I am saturated with the story, live with the characters and feel their emotions keenly. After an intense period of painting and drawing, the book (with some relief) reaches a conclusion. Then all goes quiet for about a year!
I move on to other projects and new challenges and almost forget about the
hopes I have for the book.
The book is sent off for printing and in the meantime, the wonderful marketeers at Walker Books find a home for the story with bookshops and other distributors. When the book arrives back, it’s the first time I will have seen it in its printed and bound form. The book and its story message is at last ready to meet its readers and continue its journey.
When the first copies arrive it’s like an old friend I haven’t seen for a long time. There’s a little hesitation too! Did I do a good job? Are the characters believable? Have I managed to communicate the essence of the story after all? Of course, each book is like a stepping stone, a chance to experience and try something new and develop my picture-making a little further.
(character
sketches, Tomas the ‘strict’ dad, kind uncle Filipe and Javier, the boy)
I’d certainly never drawn
an albatross before I was invited to illustrate Nicola Davies’s wonderful story, ‘Ride the Wind’, set in a small fishing village along the coast of
Chile.
I begin a new illustration project with a careful reading of the text then I try to let the story sink in. Before making pictures for the book I try to find tangible examples that resonate with the characters and setting to look at and draw. Most albatrosses, however, live in the Southern Hemisphere, beyond my reach from East London and a trip to Chile just wasn’t practical.
There are fortunately taxidermy examples in museums that helped give a sense of their majestic wingspan and scale, although ‘my’ bird doesn’t open its wings until the end of the story. I was worried that the albatross might look like a large goose so needed other distinguishing features and discovered that they also have large hook-shaped beaks and strong-looking necks. I drew the albatross until I felt I knew it and also other sea birds from museum specimens and gulls whenever I walked along the Thames.
(practice
pictures for the albatross)
I wanted to experience sea
weather and salt spray. So, I took the train to Hastings rather than South
America, to the ‘Old Town’ where the boats are launched from the beach and
winched back in. It meant I could walk in between the boats, observe them
closely and also experience something of the daily rhythm of hardy fishing
people. Maintaining nets, making repairs, gutting fish, whilst all around,
piles of floats, impressive anchors, weathered fishing huts and even a local
museum with a model of an albatross which I took as a good sign.
(location drawings at Hastings)
(the
fishing boat arrives back to the village with Javier and the albatross, from
the book)
I see characters everywhere! On the London Underground, on the street, in the supermarket queue. I’ve never met a person I haven’t found interesting and we all come with a story. The characters in the book are a composite of relatives from Southern Italy I remembered from my childhood, farmers this time who had also been shaped by the weather and tough physical work. I borrowed attributes from different people; there’s a little of me in the dad and a little of my son in the boy too.
I’d found ‘my’ albatross
and ‘my’ village and could now begin to populate it and make the story come to
life!
As I write I’m still awaiting the first copies of the book; I look forward to meeting my ‘old friend’ again.
- Salvatore Rubbino
