Wednesday, 2 December 2020
The Song of the Nightingale - Illustrator Q&A
Tuesday, 1 December 2020
The Song of the Nightingale - Author Q&A
Guest Author Q&A - Tanya Landman
I first heard the story when I was about twenty. I can’t actually remember where or when but (*SPOILER*) the image of a drop of gold on the back of the throat really caught my imagination. It was one of those deeply satisfying stories that has every listener sighing at the end.
About ten years later I started living and working with Rod Burnett, the artist and a puppeteer who later became my husband. In the bedroom of a shared basement flat, we were building a show for the two of us to perform together – a version of Hans Christian Andersen’s The Nightingale.
I remember very clearly the day when the two of us decided to take a break. It was sunny so we went outside to sit on the triangle of grass over the road. We were both really bothered because somehow the show was lacking something. The beginning didn’t quite work. It needed something extra to really draw people in. That was when the story I’d heard years ago about how the nightingale got its voice rose to the surface again. I told the bare bones of it to Rod, he was as enchanted as I had been when I’d first heard it. So we used the tale as the opening of the show to great success.
And then – another ten years or so later when we’d had two children and moved to Devon – I started writing books. I’d already done Waking Merlin for Walker but also submitted a whole pile of other ideas including The Song of the Nightingale.
My then editor loved it, but it was problematic. For various reason, creation stories are a hard sell, so I had to find another way of approaching it. Basically, I needed to tell a creation story without actually mentioning God. It was tricky. I went through so many drafts, I tried so many different angles!
Tell us a little bit more about your writing process.
I started writing when our children were toddlers. Rod was performing solo shows by then and was away on tour for sometimes weeks at a time. I had to keep an eye on the boys while I worked so there was no locking myself away in a writer’s shed! I started off in a corner of the kitchen and that’s where I still work now, almost twenty years later. I can only write when I’m alone these days because I tend to do the voices of my characters out loud to get them right before committing their words to the page. Small children are happy to ignore such eccentricities, but now both boys are grown up I get strange looks. So I usually write in the early mornings when the house is quiet.
What was it like to see Laura Carlin’s illustrations for the first time?
I will never, ever forget that day! It was March 13th 2020 – the last time I was in London. I remember wishing I hadn’t travelled there - the atmosphere was very tense and strange because of Covid 19. Women in the Ladies at Paddington were hand washing as if they were auditioning for Lady Macbeth. Everywhere there was a nervous talk of lockdown and why it was taking the government so long to act. The fearful mood in the Underground had me thoroughly unsettled by the time I got to the Walker offices.
But then the designer showed me Laura’s illustrations for the first time and I was transported somewhere else, somewhere full of joy and magic.
I’m a writer. Words are my thing. But it’s hard to properly describe the sensation of seeing those spreads for the first time. It was utterly overwhelming. Laura’s illustrations literally took my breath away and I know they will do the same to adult and child readers alike.
Do you have a favourite spread in the novel?
I think they’re all magnificent. But my favourite has to be the whale.
What was your favourite Picture Book when you were a child?
Where the Wild Things Are. It fascinated and terrified me in equal measure and I returned to it over and over again. I used to practice staring without blinking once, just in case a forest should ever start to grow in my room (a skill that later came in handy when giving talks to Year 9's).
Monday, 16 November 2020
Ella's Night Lights - Q&A with Lucy Fleming
If you look very carefully at the night sky, you might spot a teeny-tiny sparkle out of the corner of your eye, a whisper of a tinkling trail… That’s Ella.
Ella has always dreamed of seeing the sunrise. But with her delicate gossamer wings, she can only come out at night. So, when the moon is high, she collects as many shimmering beams of light she can find – a twinkle from a star, the glow from a lamp post. With her light, she guides lost and lonely animals and finds friendship in Fox and Owl. And, together, Ella’s animal friends know just how to return her kindness... A gentle, tender storybook about friendship and the power of kindness.
I really wanted to create a book that celebrated hope, kindness, and friendship, light was the perfect metaphor, that warm, glowing feeling we have when we’re happy. I had sketched a little moth girl and I just knew she had a story waiting to be told. To me, Ella represents kindness during difficult times, and I had no idea how poignant that message would be for 2020.
I’m certain that illustrations will always come more organically to me, it’s just a road well travelled for me so it’s natural for me to think visually first. The artwork is always on my mind as I’m winding through the words. I’ve always loved writing and telling stories and I’ve always got my nose in a book and am constantly trilling around with stories in my mind, but I am always drawn to drawing!
Tell us a little bit more about your process.
I work from my home studio in Greater Manchester, where I can see the hills from my window if it’s not too cloudy. On sunny days I really enjoy having my lunch or a cup of tea in the garden, getting some air, and watching the birds and squirrels. Adjusting my work-life balance and connecting with nature helps me to stay creative.
When writing the story, I started by outlining a brief concept first, a paragraph or so that sums it up. Then I’ll see what works visually, doing character sketches, and thumbnails of scenes, this often springs up new ideas and helps the story develop. More often than not there’ll be a sticking point or something that isn’t quite clear yet and allowing time for things to grow and develop organically is crucial.
What was your favourite spread to illustrate?
I adored painting the first spread where Ella is sleeping in the hollow of a tree, it’s a really gentle opening to the story that really comes full circle in the end. I also enjoyed designing the village spreads with all the little windows and details. I really like illustrations to have plenty to look at and secrets to find. Picture books are often read over and over again, so it’s really sweet if there are new things to see each time.
As a child, I really enjoyed Meg & Mog, The Rainbow Fish and Owl Babies. My reception class at Primary School had a big classroom copy of The Rainbow Fish and I was obsessed with the glittery foil fish scales, I thought it was so special.
A special thank you to our guest author-illustrator this week, Lucy Fleming!
Thursday, 12 November 2020
November Book of the Month - Where Snow Angels Go by Maggie O'Farrell and Daniela Jaglenka Terrazzini (illus.)
Have you ever woken up suddenly, in the middle of the night, without knowing why?

Where Snow Angels Go is the extraordinary and compelling modern fairy tale from award-winning storyteller Maggie O'Farrell, with gorgeous illustrations by Daniela Jaglenka Terrazzini. Read more about this perfectly wintery tale below, and make sure to watch our snowy trailer, and try our snowflake-filled activity sheets.
Sylvie wakes one night, suddenly, without knowing why. Then she sees the most spectacular sight – a pair of wings, enormous in size, made of the softest snow-white feathers imaginable. An angel in her bedroom … a snow angel.
He tells her that he is here to look after her, for Sylvie is not as well as she seems... Many months later, as Sylvie recovers from her illness, she longs to see her snow angel again. He saved her life, after all. There is so much she wants to tell him, so much she wants to know. Will he ever come back to her? And how can Sylvie make sure that everyone she loves has their own snow angel, to keep them safe, too?
Praise for Where Snow Angels Go:
Where Snow Angels Go has been chosen as the Independent Bookshops' Children's Book of the Month for November. Read more here.
“Maggie O’Farrell’s first children’s venture, a long-read picture book, is a meditation on risk and resilience with beautiful, timeless illustrations from Daniela Jaglenka Terrazzini … The perfect winter story.” – The Times (Saturday Review)& The Times Ireland
“a gorgeous, modern-day fairytale picture book” - ‘Top Reads for Children this Christmas’, The Irish Independent
“the perfect embodiment of a Christmas story with soul” - Stylist
Click here to download our Where Snow Angels Go activity sheets.
Watch our snowy trailer for Where Snow Angels Go, now available from all good booksellers!
Monday, 9 November 2020
Wintery Tales
| Santa receives letters of Christmas wishes from children all over the world. But this year there's one that just doesn't make sense. What does this child want for Christmas? Santa is determined to find out! An irresistible festive follow-up to the internationally bestselling Dragon Post and Beast Feast. This joyous novelty book sparkles with Emma Yarlett’s vibrant illustrations and quirky humour, and is full of lots more hilarious letters to open. Click here to download our Santa Post activity sheets and watch our trailer below! A Polar Bear in the Snow by Mac Barnett and illustrated by Shawn Harris Follow a magnificent polar bear through a fantastic world of snow and shockingly blue sea. Over the ice, through the water, past Arctic animals and even a human ... where is he going? What does he want? Acclaimed author Mac Barnett’s narration deftly balances suspense and emotion, as well as poignant, subtle themes, compelling us to follow the bear with each page turn. Artist Shawn Harris’s striking torn-paper illustrations layer white-on-white hues, with bolts of blue and an interplay of shadow and light, for a bear’s-eye view of a stark yet beautiful landscape. Simple and thought-provoking, illuminating, and intriguing, this gorgeous story will have readers pondering the answer to its final question long after the polar bear has continued on his way. |
Friday, 6 November 2020
Top Picks of the Month for November!
Just Because
































